![]() The song reached number five on the US Billboard Hot 100 chart and number one on the US Soul Singles Chart, and was even pressed on a red strawberry scented vinyl. Strawberry Letter #23 was originally written and composed by Shuggie Otis in 1971, but it was the 1977 cover by funk and R&B band The Brothers Johnson that really blew up. Listen on Spotify Vincent and Jules talk - Strawberry Letter #23 The song is not quite as symbolic of Pulp Fiction as its predecessor but has remained popular on its own terms, and has been sampled by the likes of The Beastie Boys and Madonna since its 1973 release. Not content with just one iconic opening credits song, Tarantino served us a second only halfway through Misirlou - transitioning us from the '60s to the '70s, keeping the excitement going but adding a bit of funk. Listen on Spotify Opening Credits - Jungle Boogie Originally a Mediterranean folk song, the song gained worldwide popularity when Dick Dale recorded a surf-rock version in 1962, and again when the Black Eyed Peas sampled the tune in 2006's Pump It - but for many the song will forever be associated with Pulp Fiction, and one of the coolest film intros in history. There are few more exciting ways to start a film than Dick Dale's iconic guitar solo, which perfectly set up the rollercoaster ride that was to come - and did it in style. If Love Is A Red Dress (Hang Me In Rags) - Maria McKeeĮvery song in Pulp Fiction by scene Opening Credits - Misirlou.Flowers On The Wall - The Statler Brothers.Girl, You'll Be A Woman Soon - Urge Overkill.Son Of A Preacher Man - Dusty Springfield.Strawberry Letter #23 - The Brothers Johnson.Jackson, which amazingly was listed as its very own song. While we haven't included them here, the official soundtrack also includes snippets of the film's iconic dialogue - including that bible verse recited by Samuel L. This was rectified somewhat by the 2002 Collector's Edition, which added several bonus tracks. The original Pulp Fiction soundtrack released in 1994 only had sixteen songs, notably missing a few tracks that were included in the film. “I listen to all different types.” Nowhere has that worked better to his advantage than on the Pulp Fiction soundtrack, which Rolling Stone breaks down track in the pages that follow.By entering your details, you are agreeing to our terms and conditions and privacy policy. “When people ask me what kinds of music I listen to, I never really know what to say,” he said in the interview. PULP FICTION SOUNDTRACK MOVIE“You are such a poseur and a lame-o for using a song another movie has already christened,” he said.Īnd that approach has continued to define later Tarantino soundtracks like the ones for Jackie Brown and Django Unchained. In a 1994 interview that later appeared as a bonus track on the two-disc 2002 collector’s edition of the soundtrack, Tarantino was adamant about keeping songs fresh in his movies. It was so successful, in fact, that it’s five surf-rock offerings renewed interest in the genre, prompting surf label Del-Fi to put out a comp called Pulp Surfin’ the next year, and its influence has continued to reverberate as the Black Eyed Peas sampled it on their 2006 single “Pump it.” The soundtrack made it to Number 21 on the Billboard 200 and has since sold more three and a half million copies. “This could easily be a Quentin tape,” he said at the time of its release. As it happens, Tarantino had mixtape sequencing in mind when he executive produced the album in 1994, rearranging the way the songs play out on the track list the same way he played with chronology in the movie. The mixture of surf, soul and shit-talking that Quentin Tarantino assembled for Pulp Fiction ‘s soundtrack played out like one of the world’s coolest mixtapes, which made it an instant classic when it came out. ![]()
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